The Fourth Plinth: A Space for Contemporary Art in London

A Brief History of the Fourth Plinth

The Fourth Plinth is a vacant plinth in Trafalgar Square, London. It was created in 1841 as part of a larger plan to commemorate the Battle of Trafalgar, but it remained empty for over 150 years.

In 1998, the Mayor of London, Ken Livingstone, announced a competition to find a contemporary artwork to place on the Fourth Plinth. The competition was won by Mark Wallinger's sculpture "Ecce Homo," which was unveiled in 1999.

Since then, the Fourth Plinth has become a prominent platform for contemporary art. It has hosted a variety of works by renowned artists, including Antony Gormley, Rachel Whiteread, and Yinka Shonibare.

The Significance of the Fourth Plinth

The Fourth Plinth is a unique and important space for contemporary art. It is one of the few places in London where artists can展示their work to a large and diverse audience.

The Fourth Plinth has also become a symbol of London's commitment to contemporary art. It is a reminder that the city is a vibrant and creative hub, and that it is open to new ideas and perspectives.

Current Artwork on the Fourth Plinth

The current artwork on the Fourth Plinth is "The Invisible Enemy Should Not Exist" by Teresa Margolles. The sculpture is a response to the COVID-19 pandemic, and it consists of a series of metal casts of the faces of healthcare workers.

The sculpture is a powerful reminder of the sacrifices made by healthcare workers during the pandemic. It is also a call for action, urging us to remember the victims of COVID-19 and to work together to fight the virus.

Conclusion

The Fourth Plinth is a unique and important space for contemporary art. It is a symbol of London's commitment to creativity and innovation, and it provides a platform for artists to share their work with the world.